Black Sabbath- Black Sabbath
I never owned Black Sabbath's ground-breaking debut album in high school, but most of it could be found on my mom's vinyl copy of their 1976 greatest hits collection, We Sold Our Souls for Rock n' Roll. Listening to the song "Black Sabbath" for the first time on vinyl on the giant wood stereo console we once owned was one of the most mind-blowing music experiences of my life. The opening sound effects of rain, thunder, and church bells gave way to the most pulverizing guitar riff ever. The end was nigh, and guitarist Tony Iommi, bassist Geezer Butler, and drummer Bill Ward brought it. Then came the wicked wail of Ozzy Osbourne, and heavy metal was fully unleashed on to the earth. Forty-five years after its release (!), the records brilliant combination of working-class shithole gloom and Hammer horror imagery makes this a no-brainer for Halloween tuneage.
The Crow- Original Motion Picture Soundtrack
One album I did own in high school was the soundtrack to Brandon Lee's final film, The Crow. Now, before you say "cliche" or "nostalgia trip", I listened to this album today, and I am shocked by how great it holds up twenty years later. It is incredible that a collection of songs from such diverse artists can sound so fluid and uniform. And it all captures the movie's urban ghost story tone perfectly. From The Cure's classic, "Burn" to Pantera's cover of Poison Idea's "The Badge" to Jane Siberry's beautiful "It Can't Rain All the Time", nothing seems out of place. Well, maybe Rage Against the Machine's white-men-are-evil diatribe "Darkness", but it's smooth-jazz verses saves it from being totally out of place. Another highlight is nine inch nails' rendition of "Dead Souls" by Joy Division, one of James O'Barr's influences in creating the comic book the film is based on. You can listen to that song below:
Misfits- Walk Among Us
I still remember a description of The Misfits I read in an issue of Guitar World back in 1996. I'm paraphrasing, but I'm sure it said, "The Misfits always looked like a zombie football team, ready to crack someone's skull open and eat their brains at the sound of a whistle." I was on the hunt for a group that would be my ultimate Halloween band, and after reading that, I thought I had hit the jackpot. My first Misfits record ended up being the hardcore-infused Earth A.D., but when I put on its predecessor, Walk Among Us, that's when I really felt like I had struck gold. The low-budget production, Danzig's Elvis swagger, the bubblegum hooks, and their Munsters-esque image created an Atomic-Age, b-movie sensibility that made each listen more fun than the next. To this day, Walk Among Us is the first LP I put on to kick off the Halloween season.
Slayer- Reign in Blood
Reign in Blood was not my first Slayer album (That distinction goes to Seasons in the Abyss), but it's the one that left the biggest mark on me. Yeah, like a big, gaping head wound. An unrelenting barrage of evil, reducing weakling humans to mush, but mesmerizing me into its infernal spell. I could not get enough of it. Still can't get enough of it. The surgical precision of drummer Dave Lombardo and guitarists Jeff Hanneman and Kerry King makes sure of that. The opening scream of bassist/vocalist Tom Araya on "Angel of Death" is still blood-curdling. The closing track, "Raining Blood" brings the whole album's concept of Hell on Earth to its only logical conclusion: Hell will descent, and there will truly be no escape.
As far as film scores go, yes, John Carpenter's Halloween soundtrack is essential for the season, Not only does it conjure images of the film in your head, but also visions of falling leaves, overcast days, and jack o' lanterns. For me, there is one other soundtrack album that perfectly captures the essence of Halloween, and that is the one for the 1977 film, Suspiria. Outside of Dario Argento's masterpiece, the soundtrack album itself has one of the creepiest atmospheres ever caught on tape. Italy's Goblin utilized an array of unconventional instruments and spooky vocals to turn their brand of heavy metal prog-rock into something wickedly unique and spellbinding. Like Carpenter's music for Halloween, Goblin's score for Suspiria evokes not only scenes from the movie, but also images of dark forests, gothic settings, and witches doing dastardly deeds.
So, what albums do you automatically spin when the leaves start to fall and the stores start selling shitloads of candy? Sound off in the comments below!